Wednesday, October 22, 2014

St. Francis of Assisi's Catholic Elementary School - the Playground

Whenever I tell the story
the most remarkable aspect,
to me, is the boy’s name -
Atley Gay - and how no one
ever said a word about it.
Imagine that - in a Catholic
school in the Midwest. I’ll
be damned. He even became
popular in high school. Back
then, he’d laugh about it and
liked to remind me of it, since
I had learned the correct ratio
of gloss to lip.


He’d begin, “Carrie -”
that’s what they called me,
“Carrie,” He would say,
“Do you remember that
time you punched me
in the face?” I would blush
beneath my dark curls,
pretend to be demure,
but the pink across my nose
was really about how he’d
begun in the middle.


It really began when he called
my friend fat. You see,
my friend was one half
of a set of fraternal twins.
The other half was a
pint-sized twig, also
my close friend. But he
has insulted the one
who wasn't there to face him.
I think that’s what made me
do it. If she would have been
there, maybe I would have
let her do it herself.


This was third grade.
On the play ground. I
was aiming for his nose,
but he moved a bit
so my fist met face
right on the cheek bone.
It’s because he moved,
didn't stand his ground,
that the motion propelled
him backwards, head first
into the yellow basketball
hop’s pole. It reverberated
all across the blacktop
like a gong. The soft
of a boy’s head rapturing
against hollow metal.
I still hear it’s echo
in the cat-calls I get
walking down the street.


He was knocked unconscious
and had a concussion
and was out of school
for a two days - maybe -
but when he came back,
he ran straight up to me
and let me feel the tangerine
sized bump on the back
of his head. He’s grown
his hair long now in his
college daze. But through
digital manifestations
of his image, I can see
how his locks cup around
the bump like two hands
trying to hold water.  

Wednesday, October 8, 2014

Life's Soup

My mother cut a piece of meat from her arm. Tears poured from her face and blood spilled on the floor.
My mother took her flesh and put it in the soup. She cooked magic in the ancient tradition  to cure her mother one last time.
-Amy Tan, The Joy Luck Club

Mother - your mother did it
properly and planted her
second heart in her
first born. Why you chose
to skip my sister, your first born,
fortune favored, star guided,
sloth whisperer, I’ll never know.
Instead I look inside
my chest and see that I
am you and your mother
before you. And I fought
it and yelled with all
my breath to create
my own voice from your
loaned lungs, but you
can always out scream
me and so we battle
for dominance, the wet
and the dry seasons,
typhoon and drought at
war yet always the same results
from opposing ends.
How can you ask me to cut
out the meat of my forearm
bath it in broth and feed it to you
after all this? After you bred
me to be your enemy, after
you beat me out me and painted
your face over mine, war paint
to warn the world that your life
will breathe on after your body
decays. You want the life saving
soup of the body you made to
replace your own, but I say
to you now in your own voice:
Get up, old woman,

this is not your deathbed yet.

Monday, June 2, 2014

A family poem

It was in the basement
where my sister and I - eight and six
respectively - chose sides. Catherine was
at my mother’s, and I sat at my father’s.
There the cats drew territorial lines
as well and beheld: a house divided
evenly.


I remember sharing my father’s lap
with the brown tabby cat who
didn't like to be touched, 'a shmoke
and a doke,' as my father said. Leaning
my head on the space between
his neck and shoulders, I breathed
his scent of musty books and aftershave
till 10 p.m. as Star Trek: Voyager bleeped
on the old TV.


There I decided that my father was a Vulcan
and my mother, a Klingon. To those
of you familiar with the Academy, you’ll
see their doomed fate clearly. To those
of you lacking, I shall say my father’s
stoism and my mother’s fever could never
be in a balance, could never intertwine,
less they be sharing an expensive dinner
on some island paradise accompanied
by a nice bottle of wine.


I like to think that vacation peace,
that honeymoon tranquility, that equal
understanding allowed my parents
to love before Catherine and I
learned to talk. Mostly me, I
suppose. We, our squeals,
our arguments, our play, our
bites, our laughs, our whines -
we took paradise and put up
parenthood.


But even before we youngens
matured and learned to speak
with our minds and hearts as one,
we had those simple moments
in the basement for an hour
later in the night than all our
classmates were allowed stay awake.
There, father and I (and reserved cat)
were piled, two on top of one and a foot
away, my mother and sisters (and the
better cat) side by side or leaning down
together.


In this dark wood paneled basement
with the dark teal carpeting and the
black window shutters shutting out
light from the stars and moon,
my family traversed the Gamma quadrant
in silent harmony. After our mission
was complete, I was carried upstairs
and Catherine crawled up them, on hands
and knees, matching the pace of
the good cat who would later join her
in bed.


At the close of the night, my mother
or father would stay in our room
and tell us a story or sing us to sleep.
They were never a duet and it was
more often my mother than my father -
perhaps it was those chosen sides
revealed by our seating arrangement,
I was always happier to listen to my
father’s low, hushed, quiver of a voice
and his tales of the adventures of our
two cats and what they do when we look
away.


But as the years past and we grew
(Catherine more so in height, I in…
call it: gene se qua) only my mother
stayed loyal to her place on the thick
green carpet, reading the American Girl
books or Harry Potter aloud. She became
much more to me than my rival and my
father was slowly pulled behind dark curtains,
one after the other.


Yet, here we all stand. Run
your hands across us, strum
us like a guitar. Listen. Do
you hear it? Our lineage stayed
strong.

All the Goat Dreams

There was once a girl who painted
a boy's black and white dreams
with pink and yellow and the deepest blue
bursting from the beak of a beating
humming bird dancing on the horn
of a goat, who sleepwalked to hear
his snores echo through the laundry shoot.

The goat was a genius and what was the hum
ing bird but a dream to dance
through the suns rays on a mist filled mourning.

Dizzy in the Rain

There I am, a mushroom in a storm,
trying to think of a poetic way
to say the streets have become a lake
and the rain is beating the waves
when the wind picks up and with my
mushroom cap, I can’t tell which way
it can be blowing and we sway
and become uprooted, cap reserved.
I, the mushroom elf, struggle
to right put my cap and then a snap
and my cap bends in like a sail
broken in a sea storm. Like the
flat fap on the belly of a senile cat,
who can’t jump off the bed anymore
without a crack in the joints.
What can a mushroom elf do,
but venture on through the lake,
transforming stem and hump
into beige rain boots and canvas
backpack and take sanctuary
in the classroom above the library.

The Dolls

1

With her last will
and testament
my aunt left me
a china doll
with hair of golden
curl and baby blue
eyes.

2

As a child she was locked
away behind glass
and cherry wood. I tried
to lift a sippy cup
to wet her un-
blinking eyes.

3

I was four years old,
playing in my cousin’s
bedroom when
I found the mutilated
doll.

She was naked
and had crayon
scribbled over her body.
I couldn’t count
the bruises of purple,
red, and green.

Her hair had been hacked
off and some pulled
out to reveal the holes
drilled in her head. Her
feet were cut off, jagged ends, to
reveal how her legs were hollow.

Her hands were chewed
flat, marked by bumpy
molars. Her eyes
had been punctured
by a pen, blue ink stained
scleras.

I wrapped her head in toilet
paper and made a chair
out of legos, four wheels
to give her back the wind
in her holes. I couldn’t cover
her eyes because I
wanted her to know

it was okay to cry.
My mother found her and
took her away. My aunt’s
daughter died that same day
I was carried to the white room
and made to talk to a lady
with black glasses and thin pencil
lips. Why’d you do that
to dolly?

That’s when all the dolls
got locked away and Auntie
came by to rock me in her arms
and cry into my hair.
I used to knock
on my legs to hear
if they were hollow
and bite my fingers
to trace the dents in my skin
but they never
bruised.

4

That was all
a long time ago and I
never told them she
wasn’t mine. Holding
that china doll I thought:
beneath those pretty curls
are the holes that are drilled
into all our heads, where
we hide the tears of the dead.